From the moment the lights dimmed and the first haunting notes filled the Arena at the SA State Theatre, The Journey to the South (Incubator) promised an evocative exploration of tradition, heroism and human fallibility.
Running until September 21, this drama captures the audience with a potent mix of theatrical prowess and cultural introspection.
The story follows a group of elite warriors known as Amangolose, who are on a triumphant return after rescuing a young girl from the oppressive ancient practice of Ukuthwalwa – a heart-wrenching ritual where a young girl is abducted for marriage without her consent.
As they embark on their journey back, the narrative begins to unravel, revealing layers of conflict, dark secrets, and ulterior motives among the group’s leaders.
Grounded deeply in traditional storytelling, the play skilfully employs ritualistic elements – prayer songs that emerge naturally from the dialogue, rhythmic chants, and the resonant sound of the horns symbolising the royal family.
These elements are not merely decorative but serve as a connective tissue that binds the audience to the essence of the story, creating a powerful actor-spectator relationship.
Visually, The Journey to the South is nothing short of spectacular. The use of lighting is particularly striking. A stand-out moment is when the supernatural powers of Ningizimu, one of the twin characters (Uningizimu nomkhonto odla izizwe), are brought to life with a breathtaking display of lights and shadow.
The interplay of shadows against a backdrop of towering trees and the flickering glow of imagined lightning creates images that are both haunting and poetic.
The show’s unique approach to spectacle – melding traditional African theatrical elements with modern lighting techniques – transports the audience into a world where reality and the supernatural collide.
This is further heightened by the intense performances of the cast, who bring a palpable energy to their roles. Their portrayals are not just about conveying the text but about embodying the cultural weight and emotional depth of their characters.
The play opens with a powerful monologue that sets the tone for the journey ahead. The actor’s commanding presence and the evocative music in the background create an atmosphere charged with anticipation.
The intensity does not wane as the story unfolds. Rather, it builds with each challenge the Amangolose face. From conflicts with rival clans to the internal dissent among their ranks, every scene is meticulously crafted to keep the audience on the edge of their seats.
The character dynamics are central to the play’s success. The leaders of the Amangolose, who begin as seemingly united in purpose, gradually reveal their true colours.
The audience is taken on an emotional roller-coaster as they witness the bonds of brotherhood tested against greed, power and betrayal. The raw, unfiltered emotions portrayed by the actors are a testament to their skill and understanding of the material.
The Journey to the South is more than just a play; it is an experience. It challenges its audience to reflect on deep-rooted cultural practices while simultaneously entertaining them with high-energy performances and stunning visual artistry.
The director's ability to balance these elements ensures that the production is not only a powerful commentary on societal issues but also a compelling piece of art.
At just R150 a ticket, this journey is accessible to all ages and is well worth the trip to the SA State Theatre. Whether you are drawn by the promise of traditional storytelling, the allure of dramatic tension, or the sheer beauty of its production design, The Journey to the South offers something profound for everyone. Prepare to be captivated, challenged and thoroughly entertained.
Bongani Nicholas Ngomane is a PhD student at the University of the Witwatersrand.
The Star